George Balanchine’s ‘Jewels’ is a pioneering ballet designed as a three-act performance: Emeralds, Rubies, and Diamonds. Originally titled ‘le Palais de cristal,’ it was inspired by Balanchine’s visit to Van Cleef & Arpels. Each act represents a gemstone and embodies a distinct ballet tradition.
Inspired by the elegance of Van Cleef & Arpels jewelry, ‘Jewels’ blends classical and modern dance, making it a staple in the ballet repertoire. This overview of ‘Jewels’ ballet overview delves into its concept, unique structure, and cultural significance.
Key Takeaways
- George Balanchine’s Jewels is the first full-length abstract ballet. It is structured as a triptych, with E representing a gemstone and diverse ballet traditions.
- The luxurious designs of Van Cleef & Arpels inspire the ballet, which in its three acts incorporates French, American, and Russian stylistic elements to pay homage to classical ballet.
- ‘Jewels’ has received critical acclaim and has been performed by renowned ballet companies worldwide, solidifying its place as a cherished and timeless work in the repertoire.
| Aspect | Details |
|---|---|
| Title | Jewels |
| Choreographer | George Balanchine |
| Year of Premiere | 1967 |
| Performance Venue | New York City Ballet at the New York State Theater (now David H. Koch Theater) |
| Inspiration | Balanchine was inspired by the beauty and elegance of jewelry and his experiences in Paris. |
| Structure | Triptych: Each act represents a gemstone with a distinct theme, style, and composer. |
| Acts | Emeralds, Rubies, Diamonds |
| Music | – Emeralds: Gabriel Fauré – Rubies: Igor Stravinsky – Diamonds: Pyotr Ilyich Tchaikovsky |
| Themes | – Emeralds: Romanticism, French elegance – Rubies: Jazz energy, modernity – Diamonds: Imperial Russia, classical tradition |
| Costume Design | Karinska |
| Notable Elements | It was the first abstract ballet without a linear plot but unified by the theme of gemstones. |
| Cultural Impact | It was considered the first full-length abstract ballet, establishing a new standard for storytelling through dance. |
| Famous Interpretations | New York City Ballet, Paris Opera Ballet, Mariinsky Ballet |
| Why It’s Unique | Each act showcases a distinct style, from romantic French ballet to neoclassical Russian elegance and jazzy American modernity. |
| Recommended Audience | Ballet enthusiasts, classical music lovers, and those interested in innovative storytelling through movement. |
| Duration | Approximately two hours (including intermissions) |
About Jewels
George Balanchine’s Jewels is a choreographic triptych, a unique combination of styles and music that forms a contrasting yet complementary whole. The ballet is a “Balanchine primer,” coined by dance critic Arlene Croce. It reveals a facet of the choreographer’s creativity and evokes a particular time and style of ballet.
The three mini-ballets, Emeralds, Rubies, and Diamonds, produce an evening of dance that builds from the trance of Emeralds through the jazzy dynamism of Rubies to the sense of the glory of imperial Russia that is Diamonds.
Jewels is a full-length abstract ballet that premiered on April 13, 1967, at the New York State Theatre. April 13, by the New York City Ballet. The ballet was inspired by the beauty of jewels seen at Van Cleef & Arpels’ Fifth Avenue Salons, and each section is set to music by different composers: Emeralds to Gabriel Fauré, Rubies to Igor Stravinsky, and Diamonds to Pyotr Tchaikovsky.
The ballet is a showcase for the diversity of Balanchine’s creative inspiration and the talent of his dancers. Each section is distinct not only in music and movement but also in dress, with the women in Emeralds wearing Romantic tutus of either music emeralds and green, the women of Rubies wearing ruby red leotards with attached skater-type skirts that flare at the hips, and the women in Diamonds wearing Classical tutus.
Many companies, including the Paris Opera Ballet, the Bolshoi Ballet, and the National Ballet, have performed the ballet. In 2017, to celebrate 50 years of the ballet, an international production of Jewels was performed at Lincoln Center in the David H. Koch Theater. The production featured the Paris Opera Ballet, the New York City Ballet, and the Bolshoi Ballet.
Jewel celebrates classical ballet, with each section showcasing a different style and mood. Emeralds commentary on the French dancing school and its rich heritage, while Rubies classically represents Balanchine’s collaboration with Stravinsky. Diamonds is an ode to imperial Russia and its boasting, focusing on the majesty of service and the glory of humility.
The ballet features various styles and moods, from elegance to dynamism and splendor. The pas de deux in each section is a highlight, with the principal couples showcasing their technical skill and artistic expression. The ballet is a testament to Balanchine’s mastery of choreography and ability to create different styles and moods through dance.
In conclusion, George Balanchine’s Jewels is a choreographic triptych that showcases the diversity of the choreographer’s creative inspiration and the talent of his dancers. The ballet celebrates classical ballet, with each section showcasing a different style and mood. Jewels is a must-see for ballet enthusiasts, featuring beautiful music, stunning costumes, and technical choreography.
The Concept of Jewels Ballet
George Balanchine’s “Jewels” is a ballet that shines with the brilliance of the gemstones named after. Inspired by the exclusive precious stones that reflect elegance and allure, Balanchine crafted the first full-length abstract ballet, a choreographic triptych that is as innovative as it is beautiful. Each of the three acts—Emeralds, Rubies, and Diamonds—presents a unique visual and thematic experience, making George Balanchine’s Jewels a true gem in ballet.
Balanchine’s “Jewels” pays homage to classical ballet traditions while embracing modern, abstract forms. Its triptych structure showcases various styles and themes, providing a comprehensive primer on Balanchine’s classical heritage.
Balanchine’s meticulous consideration of each segment through the jewel motif adds depth and variety to the dance, making Jewels a staple in major ballet companies’ repertoires worldwide.
Inspiration from Van Cleef & Arpels
The luxurious displays at Van Cleef & Arpels, a renowned Parisian jewelry house, inspired “Jewels.” Balanchine was captivated by the intricate, opulent designs and imagined a ballet that mirrored these qualities.
Claude Arpels of Van Cleef & Arpels significantly nurtured this inspiration. The luxurious designs influenced Balanchine, shaping the ballet’s character and visual appeal. George Balanchine’s Jewels, a significant ballet, features a unique triptych of contrasting segments, each embodying different styles and emotions inspired by the jeweler Claude Arpels.
This connection to high jewelry imbues “Jewels” with the French elegance, comfort, and sophistication that Balanchine admired.
A Tribute to Ballet Traditions
“Jewels” is a tribute to classical ballet traditions worldwide. Each segment represents a distinct tradition: Emeralds capture French elegance, Rubies embody the American spirit, and Diamonds venerate Russian opulence, showcasing Balanchine’s respect for ballet’s diverse heritage.
Emeralds, with its romantic tutus and graceful movements, reflects the subtle charm of French ballet, reminiscent of the Paris Opera’s style. In contrast, Rubies bursts with the energy and dynamism of American life, incorporating elements of jazz and modern dance.
Diamonds pay homage to Russian ballet’s luxury, echoing the imperial era’s splendor with grand, classical choreography. These three ballets create a rich tapestry of styles and traditions, making “Jewels” a comprehensive primer on ballet’s diversity.
Exploring the Three Acts
Balanchine’s Jewels is a three-act ballet representing emeralds, rubies, and diamonds. This format highlights each gemstone’s unique characteristics while contrasting different styles and music, creating a cohesive yet varied performance experience. Premiering in 1967, Jewels has become a seminal work, blending diverse ballet influences into a rich, multifaceted performance.
This triptych format allows each act to stand alone while contributing to the ballet’s overall narrative and aesthetic. Balanchine’s genius shines through his ability to capture each gemstone’s essence through movement, music, and visual design.
Emeralds
Emeralds, the first act of “Jewels,” represents the elegance and sophistication of French ballet. Set to the music of Gabriel Fauré, Emeralds captures a dreamy, romantic atmosphere that is both enchanting and serene. Fauré’s music, with its slow and mesmerizing pace, enhances the ethereal quality of this act, creating a timeless beauty. Mimi Paul played a significant role in the original cast of ‘Emeralds,’ bringing a unique dancing style and contrasting personalities that contributed to the ballet’s aesthetic and emotional depth.
Emeralds’ choreography is fluid and graceful, reflecting the romantic and gentle nature of Fauré’s compositions. Each step and gesture evokes the elegance of French ballet, making dancing emeralds a captivating opener. The dancers move with poise and refinement, embodying Balanchine’s envisioned jewel motif.
Rubies
Rubies burst onto the stage with the vibrant energy of American life. Set to Stravinsky’s dynamic, jazz-inflected score, this act’s lively, spirited choreography blends classical ballet with modern movements, showcasing Balanchine’s innovative and exhilarating style.
Rubies’ fast-paced, dynamic movements capture jazz and the American spirit. The choreography features sharp, angular lines and playful interactions, making it thrilling and engaging.
In stark contrast to Emeralds’ serene elegance, this act showcases Balanchine’s versatile choreographic genius.
Diamonds
The final act, Diamonds, immerses the audience in the grandeur and opulence of Russian ballet. Set to Tchaikovsky’s Symphony No. 3 in D major, it pays homage to the Russian tsars’ splendor and classical ballet traditions. The majestic, sweeping melodies enhance the act’s regal atmosphere, fittingly concluding the triptych.
Diamonds’ choreography is grand and sophisticated, reflecting the opulence of Russian imperial traditions. The dancers move with grandeur and poise, echoing classical Russian ballet techniques. This act serves as a powerful, majestic finale, completing the rich tapestry of ballet traditions Balanchine sought to celebrate.
Notable Performances and Productions
Since its premiere, “Jewels” has been performed by numerous renowned ballet companies worldwide, each bringing a unique interpretation to Balanchine’s masterpiece. The variety and quality of these performances underscore the ballet’s significance, showcasing its enduring appeal and artistic richness. From the New York City Ballet to the Paris Opera Ballet and the Bolshoi Ballet, “Jewels” continues to captivate audiences globally.
The following sections highlight notable performances of Balanchine’s “Jewels,” illustrating how different ballet companies have embraced and interpreted this timeless work. Each production offers a unique perspective on Balanchine’s vision, enhancing our appreciation for Jewels’ versatility and depth.
New York City Ballet Premiere
The New York City Ballet premiered “Jewels” on April 13, 1967, at the New York State TheaApril 13ng a significant moment in ballet history. Balanchine’s creation quickly became a cornerstone of the company’s repertoire, showcasing talents like Patricia McBride and Edward Villella. This premiere set the stage for “Jewels” to become a beloved classic, celebrated for its innovative choreography and thematic richness.
The New York State Theater premiere was a testament to Balanchine’s vision and the New York City Ballet’s artistic excellence. The original cast’s highly praised performances contributed to the critical acclaim “Jewels” received from the outset, solidifying it as a pioneering work in ballet.
Paris Opera Ballet
The Paris Opera Ballet has significantly contributed to the legacy of “Jewels” with distinct interpretations of Balanchine’s choreography. Premiering their version in 1974, they have delivered numerous performances, each showcasing their unique artistic vision. Their interpretation emphasizes the elegance and sophistication characteristic of French ballet, particularly in the Emeralds Act.
The Paris Opera Ballet’s performances of “Jewels” have received critical acclaim, further cementing its international reputation. Their renditions highlight Balanchine’s work’s thematic richness and versatility, making “Jewels” a staple in their repertoire. The ballet’s ability to blend Balanchine’s innovative choreography with stylistic nuances has made its performances memorable.
Bolshoi Ballet
The Bolshoi Ballet, known for its grand productions and deep-rooted traditions, has also left a mark with its rendition of “Jewels.” Their performances emphasize the majestic elements of the Diamonds Act, highlighting the ballet’s connection to Russian traditions and enhancing appreciation for the grandeur and opulence Balanchine sought to convey, much like the national ballet.
In the Bolshoi Ballet’s hands, Diamonds become a powerful homage to Russian imperial heritage, with choreography that deeply resonates with the audience. Their performances offer a unique perspective on “Jewels,” showcasing its cultural significance and artistic depth. This interpretation by one of the world’s most prestigious ballet companies underscores Balanchine’s masterpiece’s universal appeal and timeless beauty.
Choreography and Music
The choreography and music of “Jewels” are integral to its success and enduring popularity. Balanchine’s innovative choreography blends classical ballet techniques with modern movements, creating a unique artistic expression that captivates audiences. Each act features music from distinct composers, enhancing the performance’s thematic and emotional impact.
Balanchine’s choreography in “Jewels” respects ballet traditions while being forward-thinking. He interweaves traditional techniques with contemporary movements, making “Jewels” a choreographic masterpiece. The collaboration between choreography and music results in a harmonious and compelling performance that has captivated audiences since its inception, showcasing George Balanchine’s innovative approach.
Balanchine’s Choreographic Genius
Balanchine’s choreographic genius shines in “Jewels.” He merges classical ballet with fresh movements, showcasing each segment’s uniqueness. Emeralds’ choreography is fluid and graceful, reflecting French ballet’s romantic, gentle nature. In contrast, Rubies features rapid, dynamic movements, embodying American life’s energetic and vibrant spirit.
Diamonds’ choreography is grand and sophisticated, paying homage to Russian ballet’s classical techniques. Initially viewed as superficial, “Jewels” is now appreciated for its intricate choreography and deep connection to ballet history. Each act’s distinct character and innovative choreography highlight Balanchine’s unparalleled ability to blend tradition with innovation.
Musical Masterpieces
The music of “Jewels” is integral to its success. Each act features music by a different composer, adding thematic richness. Emeralds features Gabriel Fauré’s incidental music for two plays, creating a dreamy quality that enhances its romantic theme.
Rubies features a score composed by Igor Stravinsky titled Capriccio for Piano and Orchestra, which complements the lively and spirited choreography. Diamonds is set to Tchaikovsky’s Symphony No. 3 in D major, a majestic and sweeping composition that enhances the grandeur of the act.
The choice of these composers and their music adds depth and emotion to “Jewels,” creating a unique and captivating performance experience. The collaboration between Balanchine’s choreography and the musical masterpieces chosen for each act results in a timeless and innovative ballet.
Costumes and Set Design
The visual elements of Jewels enhance the overall performance. The distinct color schemes for each act highlight the thematic representation and add to the ballet’s visual appeal. The elegance and glamour of the costumes and set design have made Jewels a glamorous addition to ballet companies’ repertoires worldwide.
The following subsections will delve into the specific contributions of Barbara Karinska’s costumes and Toer van Schayk’s scenic design, illustrating how these elements complement Balanchine’s choreography and the ballet’s overall aesthetic.
Barbara Karinska’s Costumes
Barbara Karinska’s costume designs for “Jewels” are characterized by their extravagant jewel-like appearance, aligning perfectly with the themes of each act. Her designs include romantic tulle skirts for Emeralds and classical tutus for Diamonds, showcasing her artistry and attention to detail.
The jeweled decorations in Karinska’s costumes help evoke the distinct themes of each act, adding to the ballet’s visual splendor.
Karinska’s costumes are visually stunning and functional for dance, illustrating her deep respect for the dancers and their needs. The costumes’ ability to reflect the jewel motif while allowing for fluid movement is a testament to Karinska’s skill and creativity. Her work has been instrumental in bringing Balanchine’s vision of “Jewels” to life on stage.
Scenic Design
Toer van Schayk’s set design for “Jewels” features a minimalist aesthetic that complements the ballet’s jewel theme. The minimalist design symbolizes the facets of cut gems, creating an elegant and sophisticated backdrop for the performance. This design strategy enhances the audience’s connection to the performance by creating an immersive experience.
Van Schayk’s scenic design, with its clean lines and subtle elegance, allows the choreography and costumes to shine. The simplicity of the set design does not detract from the performance but rather enhances it, providing a perfect canvas for the dancers to bring Balanchine’s vision to life. This thoughtful approach to set design is a key element in the overall success of “Jewels.”
Audience Experience and Reception
Since its premiere, the audience experience and reception of Jewels have been overwhelmingly positive. The ballet has consistently received a warm response, becoming one of the most popular works in the repertoire. Its balance of entertainment and artistry has made it a cherished piece among audiences worldwide.
The visual components, including the costumes and set design, enhance the overall performance experience. Pre-show introductions, offered free of charge, are designed to improve the audience’s understanding and enjoyment of the performance. These initiatives help create a deeper connection between the audience and the ballet, making each performance of Jewels memorable.
Critical Acclaim
“Jewels” has received critical acclaim since its premiere, becoming a beloved piece in the ballet repertoire. The New York City Ballet’s initial performance at the New York State Theater, featuring contributions from original cast members like Patricia McBride and Edward Villella, was highly praised. Notable performances by the Paris Opera Ballet have also earned acclaim, showcasing their unique interpretation of Balanchine’s vision.
The Bolshoi Ballet’s rendition of “Jewels” has provided a distinct viewpoint, particularly in the Russian-inspired Diamonds Act, highlighting its artistic excellence. Performances from prestigious ballet companies worldwide underscore the universal appeal and enduring legacy of “Jewels.” The critical acclaim and recognition from the ballet community have solidified its status as a masterpiece.
Audience Engagement
Audience engagement is a key component of Jewels’ success. Pre-show introductions, held 45 minutes before the performance, enhance the audience’s understanding and enjoyment of the ballet. These introductions are free and require no reservation, making them accessible to all attendees.
These initiatives have proven effective in deepening the audience’s connection to the performance, providing context and insight into the ballet’s themes and choreography. By enhancing the viewing experience, these engagement efforts help ensure that each performance of “Jewels” is entertaining, enriching, and memorable.
Summary
“Jewels” by George Balanchine transcends time and tradition, captivating audiences with elegance, innovation, and thematic depth. From its conceptual origins inspired by Van Cleef & Arpels to its intricate choreography and musical masterpieces, “Jewels” is a testament to Balanchine’s genius and ability to blend classical ballet with modern elements.
The distinct acts of Emeralds, Rubies, and Diamonds each offer a unique visual and thematic experience, showcasing the diversity and richness of ballet traditions.
The enduring popularity and critical acclaim of “Jewels” highlight its significance in the ballet repertoire. Notable performances by prestigious companies like the New York City Ballet, Paris Opera Ballet, and Bolshoi Ballet have brought Balanchine’s vision to life, each adding their unique interpretation.
The costumes and set design further enhance the ballet’s visual splendor, making each performance a feast for the eyes. As we conclude this journey through “Jewels,” we are reminded of the timeless beauty and artistic brilliance that continue to enchant audiences worldwide.
Frequently Asked Questions
What inspired George Balanchine to create “Jewels”?
George Balanchine was inspired by the luxurious displays at Van Cleef & Arpels, prompting him to create “Jewels,” a ballet that embodies the elegance and sophistication of precious stones.
What are the three acts of “Jewels,” and what do they represent?
The three acts of “Jewels,” Emeralds, Rubies, and Diamonds, symbolize French elegance, the dynamic American spirit, and the grandeur of Russian opulence, respectively. Each act captures a distinct cultural identity and artistic expression.
Which composers’ music is featured in “Jewels”?
“Jewels” features music by Gabriel Fauré in Emeralds, Igor Stravinsky in Rubies, and Tchaikovsky in Diamonds.
How have different ballet companies interpreted “Jewels”?
Different ballet companies, such as the New York City Ballet, Paris Opera Ballet, and Bolshoi Ballet, have uniquely interpreted “Jewels,” showcasing its versatility and depth through their distinct artistic visions.
What role do the costumes and set design play in “Jewels”?
The costumes and set design in “Jewels” enhance the ballet’s visual impact. Barbara Karinska’s designs embody the jewel themes, and Toer van Schayk’s minimalist sets symbolize the facets of cut gems. Together, they create a rich aesthetic experience that elevates the ballet.
